According to Nielsen SoundScan’s latest report, more than 70% of the music consumed in the first six months of 2014 in the U.S. was either downloaded or streamed — and streaming services are the only part of the recorded music business that's growing.
Digital's influence on the music
industry has driven consumption and provided immense opportunity for new
business, from newer entrants, like Spotify and Pandora, to moves from veteran
players, like Apple, Google and Amazon. But these competing services have paved
the way for a highly fragmented landscape, and it’s become a maze for artists
and labels to understand — and capitalize on — fan behavior.
Like the music industry, brands wrestle with a disjointed
digital ecosystem made up of social networks, ad networks and search bars.
Consumers have the potential to get lost in the mix for marketers. Fortunately,
standardized tracking tools now exist that enable marketers to understand how
consumers behave across platforms and devices with increasing accuracy. But,
music is a breed of its own — cookie-like tracking tools simply don't exist
yet. Artists don’t know their true reach and can't discover comprehensive
insights into their listeners, as fans travel from one platform to the next.
Below, we take a look at the modern marketing handbook and
see how it works — or doesn't — in music.
Marketing technology. Deeper insight into user behavior is
crucial for an industry that bears the brunt of every new disruptive
technology. Not too long ago, “Are streams cannibalizing downloads?” was an
unanswered question. Traditional marketers implement sophisticated tools to
support marketing initiatives at every stage of the funnel. They qualify leads,
nurture prospects and maintain relationships with existing customers. There are
even solutions to map offline behavior and online activity courtesy of new
technology like iBeacon and anonymous data syncing. However, labels and artists
struggle to map the lifecycle of a fan labels and artists struggle to map the
lifecycle of a fan, determine when a listener first heard a song, who the
listener even is, and how to nurture the artist relationship and create a fan
for life.
Real-time reporting. Radio is a black hole. Activity on
Pandora comprises a huge and growing percentage of listening in the United
States, the world’s biggest music market. However, like offline radio, there’s
no real-time or detailed tracking of that music consumption. Services like
Pandora operate under a statutory license from the U.S. government, and they
are only required to provide the number of plays of a certain track on a
monthly basis 45 days after the month ends, with no demographic information
about the listeners. In contrast, digital marketers are optimizing marketing
initiatives, like paid media and site optimization, in real time thanks to
mounds of data. Imagine the benefits for artists (and fans, by way of more
personalized experiences) to understand who’s listening to what music across
which platforms.
Building relationships on social. Marketing’s key theme also
applies to the music industry — success is all about having a relationship with
the consumer (in this case, the listener). As Taylor Swift pointed out in her
recent Wall Street Journal op-ed, artists are starting to get record deals
because they have fans (not the other way around). With social platforms like
Instagram and Twitter, musicians can take ownership of their relationship with
fans and directly learn about their likes, dislikes, favorite songs and and
interests. However, artists and labels face the same problems that traditional
marketers face with social marketing — what ROI does a like or a follow yield?
How many unique fans do I have between my Facebook friends and Twitter
followers? The rules of the game can change, and it’s increasingly a
pay-to-play dynamic. Exposure and engagement come with a price — just ask the
2015 Super Bowl performers.
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